GFTU BGCM Minutes 2017
trying to spread the word, but it is slow. It is slow, because we are all
volunteers. There are ten of us. We are all volunteers. We are trying to get
work in as artists, people have got family life going on and we are in a trade
union and we are lucky that we have got a part time lass who does ten hours a
week, the most boring, mundane jobs that have got to be done. I have started
meeting with NPOs, so I am going around the big national portfolio
organisations. These are the ones that get guaranteed funding for a limited
period of time from the Arts Council and have huge conditions of getting that
money. Some of those conditions are about working with the trade unions. It
is listed there on the website. So I am going to speak to them. I am saying,
“These are our members’ issues”. I have to spell it out very clearly that our
members are getting pushed on to universal credit. Universal credit means if
your business is not making gainful employment, why should the taxpayer
subsidise your business? If they got proper wages to begin with then they
would not have to get universal credit. I am saying this to these NPOs who
have no idea. They have never heard of universal credit. There are very few
who know about it. It is only the artist led, artist run organisations that have got
some kind of idea.
So this is the kind of thing we are doing now. We are aiming to have codes of
practice set up for these organisations so they know how to treat artists,
because they do not know half the time how artists earn their money. They are
not really that bothered, as long as they get the work in the gallery, as long as
they get the project done. So they need to know that. We are also getting a lot
of responses round the country from members saying, “I want to be a regional
rep. What can I do? How do I do it?” so we are kind of finding our feet and
seeing what members can do and going out and talking to them, skyping them
and that is brilliant and I am learning the geography of England. I am learning
about places I have never even heard about! (Laughter) However, it is all
good stuff, but we do need to politicise our artists, because we have kind of
missed the boat a bit on becoming a trade union. I do not know why artists
have not done it before, but they have not. We have kind of been seduced by
that very self-centred, individual Thatcherite 1980s, so all the kids come out of
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