GFTU BGCM Minutes 2017
INCOMING PRESIDENT’S ADDRESS
BRO JOHN SMITH (Musicians Union): Colleagues, let me begin by saying how
delighted I am by that decision. You do not know what that means to us on the
Executive Committee. We have been looking at this, like Doug said, it seems
like a lifetime, but we are probably talking about ever since we bought Quorn
really we have been exploring these possibilities and it is a big thing, because
none of us are experts in this area. We have taken lots of high level advice.
We have got a fantastic project manager. In fact, his company HMC sponsored
the drinks the other night, Mark Childs, and we have had great guidance and
Tim the hotel manager is terrific, so this is a really significant moment and I
suppose it is going to be the main thing during my presidency, because the two
years that I will be President of the GFTU will see the completion, fingers
crossed (you all know what it is like when you have building work done), of this
project. You can quote my words back to me in two years’ time, so I am
looking forward to seeing you all in Quorn for the next BGCM in 2019.
It is wonderful to take over. I have been on the Executive Committee, as you
can imagine, for a long while, not quite as long as Ben, but I think only a few
months less than you, Ben, and I have seen the organisation change
tremendously and to get involved in it has been really quite exciting and, as
Ronnie said, this has all happened since we sold Central House, which was a
big thing to do at the time, that was a big decision. The debates at the EC, as
you have heard, about buying Quorn were massive and Doug has been able to
guide us through that, so this is a very exciting time to take over for me.
What I thought I would do to prolong your agony and keep you in this room for
a bit is just tell you a bit about my background and a little bit about the union
and a little bit about how I see things developing and where we go. I was a
musician and I worked in orchestras for about 25 years. For 20 years I was in
the orchestra of the English National Opera and I was a union activist within
that orchestra, but, I emphasise, within that orchestra. Orchestras are like little
communities and you do look inwards all the while. I joined the union when I
was 19, so I have been a lifelong trade union member, but I did not really take
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